What’s really sad is that this has been going on for years, and cost’s American jobs!!! It also adds to the cost of American made Guitars!!!!! This has been happening to Gun shops for decades too!!
Henry Juszkiewicz, Chairman and CEO of Gibson Guitar Corp., has responded to the August 24 raid of Gibson facilities in Nashville and Memphis by the Federal Government. In a press release, Juszkiewicz said: “Gibson is innocent and will fight to protect its rights. Gibson has complied with foreign laws and believes it is innocent of ANY wrong doing. We will fight aggressively to prove our innocence.”
Could you be arrested for allowing your 5’th grade child to ride her bike one mile to school? That certainly seems crazy as we try to encourage active life styles for our kids. That certainly seems crazy as we try to promote safe routes to school programs. That certainly seems crazy as we talk of an obesity epidemic amongst our children. But that is what police in Elizabethton Tennessee are threatening.
Teresa Tryon said, “On August 25th my 10 year daughter arrived home via police officer, requested to speak to me on the front porch of my home. The officer informed me that in his ‘judgement’ it was unsafe for my daughter to ride her bike to school.”
Ms Tryon called the mayor’s office and the chief of police office in order to determine what laws she was breaking by allowing her daughter to ride her bike to school. Her daughter’s route to school was reasonably safe.
Major Verran of the police department returned Ms Tryon’s call. She said he told me, “He had spoke with the District Attorney’s office who advised that until the officer can speak with Child Protective Services that if I allow my daughter to ride/walk to school I will be breaking the law and treated accordingly.
She asked, “What law she would be breaking to which the answer was ‘child neglect'”.
Ms Tryon confirm with Major Verran that her daughter was indeed breaking no laws at any level, but it was Ms Tryon who was breaking the law by allowing her daughter to ride/walk to school. Even though it only takes her daughter 7 – 9 minutes to bicycle to school, she is expected to ride the bus.
On Monday, Sept.12, 2011, CNN, along with the Tea Party Express and several other tea party groups, will produce a debate with the Republican candidates in Tampa, Florida, the site of the 2012 Republican National Convention.
The tea party wing of the Republican party has been at the center of recent news involving the U.S. budget, debt and deficit. Click here for some of our recent coverage about the tea party movement.
More than 100 local, state and regional tea party groups from around the nation – including one from every state in America – have affiliated themselves with the debate.
So, in advance of the event, we’d love to hear from you.
What question would you want to be asked of the candidates during the Sept. 12 CNN/Tea Party Debate in Tampa? Submit your questions below or tweet your questions using hashtag #CNNDebate. You may even see your question during the debate:
I kept my question simple… Or did I? IF this question was asked… I am betting several candidates would stumble or get it wrong. My philosophy? You dont play you dont win!
MY QUESTION FOR THE CNN/TEA PARTY DEBATE:
Your Real Name: Jack Blood
Your Email: firstname.lastname@example.org
Question/Comment: FOR ALL: With the words ‘Liberty’ and “Freedom” being thrown about by every candidate (dem or repub) its important to know exactly what this means. CAN EACH CANDIDATE DEFINE “FREEDOM” and ‘LIBERTY’ IN THEIR OWN WORDS PLEASE. also – What would you do as President to offer more “Freedom” to every American? and protect liberty for all?
By the very nature of the intelligence business, it is difficult to discuss much of the NSA mission.” — National Security Agency Web site
In this post-Sept. 11 world, plans by the National Security Agency to construct a colossal $1.9 billion information storage center at Camp Williams could be considered a power trip.
But it’s not the sort of power trip that keeps civil libertarians lying awake at night.
No, this power grab is for the stuff of Thomas Edison and Nikola Tesla — the juice needed to keep acres of NSA supercomputers humming and a cyber eye peeled for the world’s bad guys.
Nearly a decade into the new millennium, America’s spy agency is power gridlocked at its sprawling Fort Meade, Md., headquarters. The NSA, which devours electricity the same way teenage boys wolf down french fries at McDonald’s, has been forced to look elsewhere to feed its ravenous AC/DC appetite.
“At the NSA, electrical power is political power. In its top-secret world, the coin of the realm is the kilowatt,” writes national security authority and author James Bamford.
It’s a simple equation: More data coming in means more reports going out. More reports going out means more political clout for the agency, Bamford writes.
Intelligence historian and author Matthew M. Aid considers the NSA’s quest for power a driving factor in the NSA’s selection of Camp Williams, which covers 28,000 acres bordering Utah and Salt Lake counties.
During an Oct. 23 news conference at the state Capitol officially announcing the new spy center, Glenn Gaffney, deputy director of national intelligence for collection, said as much when he confirmed that one of the strengths of the Utah location was that it “offered an abundant availability of low-cost power.”
There’s been some speculation that the Camp Williams facility dovetails with the NSA’s controversial attempts to further establish itself as the lead dog for the government’s expanding cybersecurity initiatives, although NSA officials aren’t tipping their hand.
“I can’t get into some of the specific details of the kind of work that will go on at the center because it is a critical aspect of the way we are looking at doing cybersecurity going forward,” Gaffney said in his best NSA-ese. “I can say that the reason why we are doing the center is because of the deep level of technical expertise that’s needed to understand the nature of the threats.”
Given the NSA’s penchant for speaking little and revealing less, it sounds like he’s saying, “Trust us.”
Zeros gone wild
The virtual mountains of data needing such huge levels of power to mine can be brain-numbing. Think zeros gone wild…
A 2008 report by the MITRE Corp. (Linked to Rockefeller elite), prepared for the Department of Defense, conservatively estimates that the high volumes of data storage required for NSA eavesdropping will reach the petabyte level by 2015. A petabyte is one quadrillion bytes (1,000,000,000,000,000).
There has been even wilder speculation that data storage may reach the yottabyte level within that same time frame. A yottabyte, the largest unit of measure for computer data, equals 1,000,000,000,000,000,000,000,000 bytes.
Either way, the NSA is already drowning in information. The agency’s former director, Lt. Gen. Michael V. Hayden, admitted the NSA “is collecting far more data than it processes, and that the agency processes more data than it actually reports to its consumers.”
In his book “The Shadow Factory,” Bamford cites an already outdated study by the University of California at Berkeley that measured global data trends. In 2002, there were 1.1 billion telephone lines in the world carrying nearly 3.8 billion minutes — approximately 15 exabytes of data. An exabyte is 1,000 petabytes. Cell phones added 2.3 exabytes of data, while the Internet that year added another 32 petabytes to the bubbling information pot.
Suffice it to say that seven years hence, it’s grown to a tsunami-size information wave that’s being added to daily, which is where the NSA’s robust sifting technologies of today and the future come into play.
“Once vacuumed up and stored in these near-infinite ‘libraries,’ the data are then analyzed by powerful info weapons, supercomputers running complex algorithmic programs, to determine who among us may be — or may one day become — a terrorist,” Bamford writes. “In the NSA’s world of automated surveillance on steroids, every bit has a history, and every keystroke tells a story.”
Bigger Brother, if you will, once only found in literature and the lexicon, has now taken up full-time residency in our daily lives.
The Baltimore Sun first reported in 2006 that the NSA was unable to install new supercomputers and other sophisticated equipment at Fort Meade for fear of “blowing out the electrical infrastructure.” The NSA and Fort Meade are Baltimore Gas & Electric’s largest customers, consuming roughly the amount of power that the city of Annapolis does, the Sun reported.
In 2005, the NSA took its first step to decentralize information gathering and storage by making known it would convert a former 470,000-square-foot Sony computer-chip building in San Antonio, Texas, into a satellite data facility. The Texas Cryptologic Center, as it’s being called, reportedly rivals the nearby Alamodome in size.
Camp Williams was announced to be the next such NSA facility, although back-channel chatter is now questioning if San Antonio is being shoved aside in favor of increasing the Utah center’s role.
read the next several pages of story HERE
Space weapon? OR… Jupiter doing its job protecting Earth?
This (below) Article Was Posted One Day Prior This Explosion Of ELEnin
‘Doomsday’ Comet Elenin May Be Disintegrating
Much Much has been made of Comet Elenin on the Internet, namely a giant production about how the comet may just be on a collision course with Earth, just in time for 2012. Well, for anyone starting to get nervous, don’t, as it is an established fact that Comet Elenin will not come all that close to earth, missing us by several million miles. However, doomsday aside, the comet is in the news again as it may actually be disintegrating.
Every night, astronomers, mostly amateurs, are monitoring and photographing the comet. In the past few days, some strange things have been taking place in regards to this cosmic visitor from the distant reaches of the solar system. So, what’s been going on in space? To start with, the comet has dramatically dropped in brightness. Another, more telling sign: the comet’s coma has elongated, which may hint at a disintegrating nucleus.
And all of it has been chronicled online.
On the Southern Comets website, webmaster Michael Mattiazzo has been chronicling the comet’s appearance through photographs, which appear on his main homepage, just scroll about a quarter of the way down to get to the Elenin section. Obviously, it does not require a degree in astrophysics to see that the comet is indeed changing, with the elongated coma being the most obvious difference between the new and older images.
While not conclusive proof of anything, Mattiazzo has gone so far to say that the comet is breaking up and, in all probability, won’t survive a close passage to the Sun, which is going to take place in early September.
Want to see the comet before it breaks apart? Well, you’ll have to move to the Southern Hemisphere to do so as the comet is currently invisible from the Northern half of the Earth. If the comet does survive perihelion (close approach to the Sun), it will appear in the Northern Hemisphere’s morning sky come the very end of September. Unfortunately, this does not appear likely thanks to the latest observations. However, as comets are always very hard to predict, stay tuned.
ARTICLE LINK : http://www.etidbits.com/doomsday-comet-elenin-may-be-disintegrating=8079
ARTICLE LINK :http://www.examiner.com/paranormal-in-panama-city/is-comet-elenin-burning-out-as-is-the-doomsday-madness-i-pray
Tells attorney: ‘Today is not your lucky day’
Announcing it’s “not her lucky day,” a federal judge in Washington, D.C., has told an eligibility attorney he has dismissed her case demanding information from the Social Security Administration regarding President Obama’s Social Security Number, sought because of suspicions it may be fraudulent.
The case was filed by California attorney Orly Taitz, who has brought many of the major court challenges to Obama’s eligibility based on a lack of evidence that he meets the U.S. Constitution’s requirement that a president be a “natural-born citizen.”
Jerome Corsi’s New York Times best-seller, “Where’s the Birth Certificate?”, which addresses Obama’s Social Security Number, is now available for immediate shipping, autographed by the author, only from the WND Superstore
The case at hand was filed against the Social Security Administration because Obama’s number indicates a Connecticut residency, yet there is no evidence he ever lived in the state. He claims he grew up in Hawaii and apparently had a Social Security Number there, as he reported he worked in a Honolulu ice-cream shop.
He concluded that there’s no real interest in determining whether the Obama Social Security Number is genuine or fraudulent, arguing that the need for privacy for the president trumps all else.
“The SSA explained that the Privacy Act of 1974 … protects the personal information of social security number holders,” he wrote. “The SSA determined … the plaintiff had identified no public interest that would be served by disclosure.
“Plaintiff makes no secret of her intention to use the redacted Form SS-5 to identify the holder of social security number xxxx-xxx-4425 – or, as plaintiff puts it, to confirm her suspicion that the president is fraudulently using that number,” the judge wrote.
But Lamberth wrote in the case against Michael Astrue, Social Security commissioner, that whether Obama is using a fake number isn’t his concern.
“Even if plaintiff’s allegations were true, an individual’s status as a public official does not, as plaintiff contends, ‘make exemption 6 irrelevant to him and his vital records.'”
He said he would “disregard” documents from the Selective Service and the Social Security Number Verification System suggesting there are problems with Obama’s number, because he “concludes” they were obtained “under false pretenses.”
Taitz told WND she is submitting a motion for reconsideration based on new evidence that includes an affidavit from an individual who obtained a government affirmation that the number Obama is using doesn’t match his name.
She said it is important to the public, because it could provide evidence of fraudulent IRS returns, fake election documents and Social Security fraud, should the allegations prove accurate.
See a video report:
“In this, his tenth book on 9/11 and its consequences, David Ray Griffin continues to report the facts and marshal the evidence that the mainstream media continue to ignore. Having previously demolished the official 9/11 story, Griffin now explains how the government got away with its crime against democracy.” – Paul Craig Roberts, formerly assistant secretary of the treasury and associate editor of the Wall Street Journal, has most recently written How the Economy Was Lost.
“Anyone who has actually studied Griffin’s writings on 9/11 knows that the evidence against the truth of the official account is overwhelming. It is not surprising that the mainstream response has been to ridicule and ignore rather than to engage in reasoned discussion. What is disappointing is that leading liberals and responsible journalists have joined in by affirming ideas that contradict basic science and condescendingly rejecting solid research without examining it. In this book, Griffin describes the behavior of these journalists and attempts, in a remarkably charitable spirit, to understand it.” – John B. Cobb, Jr., author of The Earthist Challenge to Economism and (with Herman Daly) For the Common Good.
Publisher’s Description: 9/11 Ten Years Later is David Ray Griffin’s tenth book about 9/11. Asking in the first chapter whether 9/11 justified the war in Afghanistan, he explains why it did not.
In the following three chapters, devoted to the destruction of the World Trade Center, Griffin asks why otherwise rational journalists have endorsed miracles (understood as events that contradict laws of science). Also, introducing the book’s theme, Griffin points out that 9/11 has been categorized by some social scientists as a state crime against democracy.
Turning next to debates within the 9/11 Truth Movement, Griffin reinforces his claim that the reported phone calls from the airliners were faked, and argues that the intensely debated issue about the Pentagon – whether it was struck by a Boeing 757 – is quite unimportant.
Finally, Griffin suggests that the basic faith of Americans is not Christianity but “nationalist faith” – which most fundamentally prevents Americans from examining evidence that 9/11 was orchestrated by U.S. leaders – and argues that the success thus far of the 9/11 state crime against democracy need not be permanent.
“Why yet another book on 9/11? Because, as David Ray Griffin points out clearly and persuasively, 9/11 continues to be not only the greatest crime in American history, but also the most strenuously covered up, and certainly the crime with the greatest political consequences. He shows how over a decade the events of 9/11 and the reports on them have been used to attack the American democratic system. Above all, he documents the success of this attack — by the refusal of the media, the academy, and religious institutions to openly discuss these matters, and by the numbers of critics who at one extreme have made fools of themselves in echoing the Orwellian official version, and at the other extreme have been either fired or silenced after their dissent from it.” – Peter Dale Scott, a poet, a former Canadian diplomat, and a professor at the University of California (Berkeley), whose most recent prose book is American War Machine.
“Our civilization cannot survive if we do not confront the unanswered questions about 9/11. David Ray Griffin does that with the same clarity and meticulous documentation that characterized his preceding books. Frightening as the enormity of the truth about 9/11 may be, we should also bear in mind that it is a window of opportunity for addressing a whole range of problems threatening the lives of our children and grandchildren. I am sure those who follow will recognize David Ray Griffin’s body of work as one of the most important contributions of the last decade.” – Niels Harrit, Associate Professor Emeritus, Nano-science Center, Department of Chemistry, University of Copenhagen
David Ray Griffin is professor of philosophy of religion and theology, emeritus, at Claremont School of Theology and Claremont Graduate University in Claremont, California, where he remains a co-director of the Center for Process Studies. His previous 9/11 books include Cognitive Infiltration (2010), The Mysterious Collapse of World Trade Center 7 (2009), 9/11 Contradictions (2008), and The New Pearl Harbor Revisited (2008), which was a Publishers Weekly’s “Pick of the Week.” In 2009, the New Statesman named Griffin one of “The 50 People Who Matter Today.”
9/11 Ten Years Later: When State Crimes Against Democracy Succeed is available at Amazon.com for $13.46 (http://www.amazon.com/11-Ten-Years-Later-Democracy/dp/1566568684/ref=sr_1_1?s=books&ie=UTF8&qid=1314469046&sr=1-1).
It will be available more quickly at Interlink Books (http://www.interlinkbooks.com/product_info.php?products_id=2883&osCsid=d7cbf0458d8c2263a094a57f318bcc53) for $20.
For Immediate Release:
Inaugural Zeitgeist Media Festival 2011
Brings Socially Conscious Art
To The Music Box in Hollywood
Sunday, September 11, 2011
With Additional Global Events: 9/9/11 to 9/11/11
LOS ANGELES, CA – August 25, 2011 – The inaugural Zeitgeist Media Festival (ZMF), uniting the world through socially conscious art and music, happens in Los Angeles on Sunday, September 11, 2011 at The Music Box in Hollywood… and around the world on the same weekend!
The not-for-profit festival features music, visual and interactive art, poetry, comedy, and theatrics including a concert featuring forward-thinking artistic powerhouses such as world musician Natacha Atlas, El Willy & the Wolves with special guest guitar legend Billy Gibbons, violin virtuoso Lili Haydn, Ben Stewart’s Hierosonic, and the social comedy of Rick Overton (MC) and Lee Camp.
The Zeitgeist Media Festival runs from 2:00pm to 10:00pm and is an all ages event. In addition to $40.00 per ticket, attendees must also contribute a small canned/sealed food donation to gain entrance. The Music Box is located at 6126 Hollywood Blvd., Los Angeles, CA 90028. For more information on the venue, please call 323-464-0808 or visit http://www.themusicbox.la. For online tickets, please visit http://www.etix.com/ticket/online/venueSearch.jsp?venue_id=8104.
This is a Non-Profit/At Cost Event, where the ticket price reflects the expenditure of the event itself. For additional information on the Zeitgeist Media Festival, please see http://zeitgeistmediafestival.org.
ZMF is a global, multimedia event working to utilize the Arts as an avenue to create sustainable values in the pursuit of a better world. The event features a magical 3,000 square foot rooftop “living garden” environment, which will house fine art, video projections, and more music with the help of LA’s Dream Circus Theatre. Notable artists with work in the rooftop garden include Banksy and Mear One. Interpretative live painter Norton Wisdom will also perform in the rooftop garden. ZMF will also host a regional food drive, in partnership with the Los Angeles Regional Food Bank, to provide relief to the growing number of people struggling with poverty in LA County. A list of recommended goods can be found here. Several nonprofits will also be on hand at the Los Angeles event with information booths on-site.
From Canada to London to Israel, ZMF expects over 70 parallel events. In addition to socially conscious art, the global event encourages participants in other regions to also conduct similar, local, resource-based drives for those in need in their respective regions. The global events are being updated on the ZMF website as they are finalized. A short list can be found near the bottom of this page. If you wish to follow the global events’ progress on Facebook, please see: http://www.facebook.com/pages/The-Zeitgeist-Media-Festival/194115850637429. The Facebook page for the ZMF LA event is at: https://www.facebook.com/event.php?eid=229754137068117.
LA Performers –
Los Angeles ZMF performers include:
– Rick Overton (MC) – social comedy – site
– Lee Camp – social comedy – site
– Natacha Atlas – world musician – site
– El Willy & the Wolves with special guest Billy Gibbons – site
– Lili Haydn – violin virtuoso – site
– Dream Circus Theatre – rooftop atmosphere and performance – site
– Hierosonic- filmmaker Ben Stewart’s hybrid rock project – site
– Peter Joseph – multimedia, performing “Zeitgeist: Requiem for One” – site
– Norton Wisdom – live visual art – site
– Charles Fleischer – comedy – site
– Garret John LoPorto – “The Wayseer Manifesto” – site
– The Lions – dub reggae musical group – site
– Master Zero – theatrical – site
– The Lost Children of Babylon – “The Protectors of Spiritual Hip Hop” – site
– Heather Donavon – singer-songwriter – site
Performer bios and descriptions of participating organizations are summarized below
The entire ZMF LA main event will be webcast live for free at http://www.stickam.com (details TBD).
Peter Joseph, the creator of the Zeitgeist Film Series and founder of the “Zeitgeist Movement” who helms the festival, explains, “Since antiquity, the Arts have been a powerful catalyst in the development of the ‘zeitgeist’ of the time. From the awe-inspiring aesthetics of religious art and music throughout the ages to the Renaissance and the dawn of the Age of Reason, the Arts have given way to powerful awareness, often opening the doors for social and cultural evolution. The Arts have continually challenged common beliefs in order to initiate progress. It is no wonder that many of the greatest thinkers and scientists in history have given tremendous credence to its power and utility.”
The Zeitgeist Film Series –
The award-winning, controversial Zeitgeist: The Movie (2007) obtained over 100,000,000 views during its first year online. In 2008, the sequel, Zeitgeist: Addendum, premiered at the Artivist Film Festival in Hollywood, CA. As with its predecessor, the award-winning Addendum was a huge viral internet phenomenon obtaining over 50,000,000 views within its first year.
In January 2011, over 300 independent groups around the world hosted theatrical screenings of the third installment, Zeitgeist: Moving Forward, in 30 languages across 60 countries. The headcount for the global premiere was over 50,000 in attendance. Zeitgeist: Moving Forward may be the widest nonprofit, global theatrical premiere in history with the most languages, countries and locations — ALL with no major distributor but solely on a volunteer and nonprofit basis. This follows on the footsteps of Zeitgeist: The Movie being the most watched documentary in internet history!
The three films have become a cultural film series project, which continue to consider the current “zeitgeist” or “spirit or awareness of the time.”
– Zeitgeist: The Movie (2007)
– Zeitgeist: Addendum (2008)
– Zeitgeist: Moving Forward (2011)
Participating ZMF LA Nonprofit Organization (NPO) Partners:
Los Angeles Regional Food Bank –
Los Angeles Regional Food Bank is a nonprofit charitable organization that has been serving the disadvantaged in the Los Angeles community since 1973. To fulfill the organization’s mission, the Food Bank sources and acquires food and other products to distribute to needy people through charitable agencies or directly through programs. The Food Bank energizes the community to get involved and support hunger relief. The organization conducts hunger education and awareness campaigns. And it also advocates for public policies that alleviate hunger. The goal is for no one to go hungry in Los Angeles County. The Food Bank is at the heart of a charitable food distribution network that includes over 1,000 charitable agency sites throughout Los Angeles County. The organization partners with Feeding America, the nation’s largest non-governmental, domestic hunger relief organization. As part of this partnership, the Food Bank follows the guidelines put forth by the network and is subject to monitoring. http://www.lafoodbank.com
Inside Out Community Arts –
Through visual arts, performing arts, and media workshops, Inside Out Community Arts promotes healthy interaction among diverse at-risk and underserved Los Angeles middle school and high school youth. Led by both specially trained teams of professional artists and high school age mentors, Inside Out bridges cultural, geographic, socioeconomic, and differently-abled boundaries to support youth in creating and presenting topical theater, art, and media. The organization’s goal is to empower youth with the tools, confidence, and inspiration to make a positive difference in their communities and the world … “from the inside out.” http://www.insideoutca.org
KPFK 90.7 FM –
KPFK 90.7 FM is a member station of the Pacifica Foundation, which consists of five radio stations, over 100 affiliate stations, and the Pacifica Radio Archives, responsible for preserving the voices of artists, activists and progressive journalists since 1949, when the foundation was established by peace activist Lew Hill. To further peace through broadcasting activities, Hill determined that radio sponsored by individual listeners would be the best way to ensure editorial freedom. http://www.kpfk.org
NextAid is a Los Angeles-based humanitarian organization that harnesses the power of music to support sustainable development projects that serve vulnerable children, youth and women in Africa. Through music events and public education initiatives, NextAid provides empowering opportunities for concerned individuals to make a difference. NextAid’s current initiatives benefit youth in Nairobi, Kenya, specifically the Kawangware Vision Centre (KVC). KVC is a project based in the Kawangware slum of Nairobi, Kenya, run by a community-based youth group, which makes silk-screened gift bags out of recycled paper to sell to local businesses. Recognizing the organization’s potential to make a bigger impact, NextAid has partnered with KVC to build a new “green” workshop and multipurpose facility in order to expand KVC’s operation and serve more youth. On August 12th, International Youth Day, NextAid’s Bids Build Hope Online Auction kicked off featuring over 50 unique items to raise funds for KVC. http://www.nextaid.org
Venice Arts –
Venice Arts’ mission is to ignite youths’ imagination, mentor their creativity, and expand their sense of possibility through high quality, accessible media–based arts education programs. Venice Arts also serves as a catalyst for people of all ages, living in low–income or underrepresented communities, to create and share personal and community stories through photography, film, and multimedia. http://www.venice-arts.org
Additional NPO participants to be confirmed.
Rick Overton –
Rick Overton is the son of two musicians — his father was Thelonious Monk’s arranger and a teacher at Julliard, and his mother was in the pop quartet The Chordettes, the girl group famous for the singles “Lollipop” and “Mr. Sandman.” So, of course, he had no choice but to go into comedy. He has been in over 100 films and countless TV shows (most recently in Bad Teacher with Cameron Diaz), but still has time to do his own brand of comedy that combines quick routines with deeper questions, theories, and “quantumplations” about how we all wound up here. He has an Emmy Award for his writing and just returned from a successful run at the Edinburgh Fringe Festival. In his over 40 years of getting laughs, he’s been a rabble rousing alternative comic since long before being socially aware was an “alternative.” Comics have always led the way in pointing out naked emperors, never more so than in these last few years. He is a Patriot with a true love for the global experiment of America and its founders, as well as a Matriot with a strong love for planet Earth. He loves Human Kind for, among other things, paying his bills. Though he is not as fond of Human Unkind, who are screwing everything up. According to Overton, “We’re stuck in a brightly lit Dark Age these days with only one smart door to choose in this game show — a Renaissance beats a Dark Age every time.” The answer, according to Overton, is in good alpha role models — bold souls to defend us from encroaching malice.
Lee Camp –
Lee Camp is a stand-up comic, actor, activist, and writer. He provided a catharsis for millions of people when he went live on Fox News and called the network a “parade of propaganda and a festival of ignorance.” He’s a contributor to The Onion and has performed stand-up comedy at events featuring Barack Obama, Hillary Clinton, and Al Gore. He was recently on Showtime’s series The Green Room with Paul Provenza with Roseanne and Bob Saget. Called one of the best new faces at the Montreal Comedy Festival, he ran for president on Comedy Central’s Fresh Debate ’08 and he has performed comedic commentary on PBS, E! Network, SpikeTV, MTV, and ABC’s Good Morning America. He is also featured in the bestseller Satiristas! with the likes of George Carlin, Bill Maher, and Stephen Colbert. He is also popular on the college circuit — hundreds of schools across the country have raved about Camp’s unique and fast-paced comedy. He is a regular contributor to New Dissident Radio and The Jeff Santos Show on Revolution Boston Radio and bears a tattoo on his left forearm, a quote from Howard Zinn, which says, “Small acts, when multiplied by millions of people, can quietly become a power no government can suppress, a power that can transform the world.”
Natacha Atlas –
Anglo-Egyptian singer Natacha Atlas has spent more than a decade fusing electronic beats with North African and Arabic music, finding links between seemingly disparate musical genres, exploring new and different sonic settings, and working with a wealth of like-minded collaborators from across the world along the way. Her music has been influenced by many styles including Arabic, hip hop, drum ‘n’ bass, R&B, Hindi pop, French chanson, and reggae. Atlas began her career as part of the world fusion group Transglobal Underground. In 1995, she began to focus on her solo career with the release of Diaspora. She has since released seven solo albums and been a part of numerous collaborations. Atlas’ list of collaborators include artists as varied as singers Sinead O’Connor and Sarah Brightman, the avant-garde classical composer Jocelyn Pook, British Asian visionary Nitin Sawhney, and the multi-instrumentalist and musical director of Ana Hina, Harvey Brough. Her version of “Mon Amie La Rose” became a surprise success in France, reaching 16 on the French Singles Charts in 1999. She is a Goodwill Ambassador for the United Nations Conference Against Racism.
El Willy & The Wolves –
El Willy, aka El Willy & The Wolves, is an art derivative drawn from Elwood Francis and Billy F. Gibbons and their infamous alliance within the New City and Williamsburg community of experimental soundscapists. The communal exchange between the long-standing association of Francis and Gibbons extends into signal and audio bending within a contemporary backbeat driven framework without the exclusion of blues based art forms. To the contrary, the unusual combination is a blend of elements ranging from solid twelve and sixteen bar patterns toward modern surrealist interpretations. An antagonists’ design termed by observers as “Redneck Tech.”
Lili Hadyn –
Before launching her solo career, Lili Haydn established herself as one of the most sought after violinists in Los Angeles playing with the LA Philharmonic, Porno for Pyros, Nusrat Fateh Ali Khan, Hootie & the Blowfish, Victoria Williams, Tom Petty, Robert Plant, and Jimmy Page. In 1994, she formed her own band and started a two-year stint at the Viper Room in West Hollywood. By 1997, she had a record contract with Atlantic and released her debut album, Lili. Since that time, she went on to record three additional, critically acclaimed, major label recordings as a solo artist. Her last CD, Place Between Places, was a favorite on NPR, and Hadyn performed the single “Strawberry Street” on the Tonight Show with Jay Leno and HBO’s Californication. A humanitarian and activist, she performs regularly for various human rights organizations. In addition to the previously mentioned artists, she has also played with Brandy, Tony! Toni! Tone!, and No Doubt. George Clinton calls her “the Jimi Hendrix of the violin.”
Dream Circus Theatre –
Dream Circus Theatre (DCT) was involved in the local underground scene in the mid 1990s, the first in the Los Angeles area to merge theatrical performances such as fire dancers, aerialists, performance artists, and art installations in a DJ dance party environment. DCT is known for their innovative series of event/parties called “I AM” – costume, themed parties, which fuse all the elements mentioned above. DCT has self-produced, created and written over 100 original events and shows. They have worked with numerous organizations and artists over the years including Red Bull, M-Audio, Native Instruments, the Los Angeles Times, LA Weekly, KCRW, KPFK, KROQ, KLOS, MTV, CNN, FNN, CBS-TV, Rolling Stone Magazine, Details Magazine, Time Magazine (Asia), Bad Boys television show, Magic (Las Vegas), Jane’s Addiction, Snoop Dog, Lollapalooza LLC, Coachella Music Festival, Burning Man, Electric Daisy Carnival, Dance with Films, Qtopia, Vanguard, House of Blues, Lou Malia (former president of Island Records), and PF Changs.
Hierosonic, filmmaker Ben Stewart’s hybrid rock project, prides itself on raw, energetic performances both on stage and in the studio. Originally conceived in 2002 out of Harrisburg, Pennsylvania, the band’s career has spanned over 9 years and several hundred performances, solidifying the band as a staple within the realm of underground rock music. Keeping it fresh, the band redefines its rock music heritage with the musical language of industrial and hip hop. With a healthy dose of thought-provoking lyrics, dirty bass lines, and pop hooks, Hierosonic strives for new sounds with a unique familiarity. The band is widely known for performances with A-list acts such as A Perfect Circle, Incubus, Jane’s Addiction, 30 Seconds to Mars, Audioslave, Filter, Sick Puppies, Jimmie’s Chicken Shack, The Used, Cold, Lacuna Coil, and Halestorm.
Peter Joseph –
Peter Joseph, born in North Carolina to a mailman father and a social worker mother, began his creative interests with music at a young age. He moved to New York to attend a conservatory, only to drop out after an inability to afford the tuition. As the creator of the world famous, award-winning Zeitgeist Film Series and founder of the controversial “Zeitgeist Movement,” which seeks to shift our social system into a more sustainable paradigm, Joseph continues to focus on media-related expressions, including music composition, performance, and film production, each with a focus on affecting society for the better. He has lectured around the world on the topics of social sustainably and has been featured in the New York Times, Russia Today, TedX, and many other outlets.
Norton Wisdom –
Since 1979, interpretive performance painter Norton Wisdom has worked with numerous musical ensembles, spontaneously painting images that capture the essence of the moment. He regularly performs live with bands/musicians onstage, creating art inspired by the music. Working on an illuminated Mylar surface, his imagery emerges, evolves and dissolves throughout the performance. He has worked with members of Jane’s Addiction, The Rolling Stones, The Red Hot Chili Peppers, Beck, the Grateful Dead, George Clinton, David Navarro, LTJ Bukem, Lili Haydn, Ivan Neville, and DJ Nobody. He is also deeply connected to the LA improv jazz scene, and specifically to guitarist Nels Cline. He contributed his creative efforts to the Winter Olympics 2002 (Salt Lake), the opening of the Bellagio Hotel (Las Vegas), and premiere of Cirque Du Soleil (Las Vegas). Museum and festival projects include Coachella, UC Santa Barbara Art Museum, Laguna Art Museum, Skirball Museum, Orange County Art Museum, San Diego Museum, WOMAD World of Music, Arts and Dance Festival, Milwaukee Museum Art, and others.
Charles Fleischer –
Comedian Charles Fleischer is best known as the voices of Roger Rabbit, Benny The Cab, Psycho, and Greasy in Disney and Amblin Entertainment’s film Who Framed Roger Rabbit. Fleischer’s other voice roles include work on The Polar Express and We’re Back! A Dinosaur Story. On-screen roles include Back to the Future Part II and Gridlock’d. Roles on television include a recurring role on the 1970s hit series Welcome Back, Kotter as Carvelli, and as Chuck on the hit series Laverne & Shirley. Fleischer’s stand-up routines are known for an intelligent but unusual take on obscure topics. A musician and songwriter as well, he has performed as a guest with the group Blues Traveler. Fleishcher writes for film and television plus continues to do stand-up. He also hosts his own weekly web show, Fleischer’s Universe.
Garret John LoPorto –
College dropout turned sonic drug dealer, best-selling author, YouTube sensation, rabble-rouser, troublemaker, and champion for free-thinkers everywhere, LoPorto is raising an army of the world’s misfits, mavericks, visionaries and pioneers – dubbed “Wayseers” – to help bring greater alignment with the mysterious source of genius known as “the Way.” He uses music, video, books, and social media to call this legion of Wayseers to turn on to what they are, tune in to the Way, and drop out of unhelpful institutions, blazing a trail for what the world really needs. He has been written about in The New York Times, Money Magazine, The London Financial Times, and The Boston Globe, and many other national newspapers. LoPorto and his projects have been featured on national television, including CNN and ABC.
The Lions –
Many of The Lions met through the LA rare groove outfit Breakestra and have collaborated on various projects throughout the past 10 years. The LA dub reggae collective came together as the result of an impromptu recording session, which included members of not only Breakestra, but also Connie Price and the Keystones, Rhythm Roots All-Stars, Orgone, Sound Directions, Plant Life, Poetics, and Macy Gray (to name a few). Their live show is a healthy mix of vocal and dub tracks, balancing classic reggae, soul cuts, and new originals, while incorporating the sounds of Ethiopia, Colombia, and Africa. The Lions have performed at Sierra Nevada World Music Festival, Sunset Junction, El Rey Theatre, The Roxy, Belly Up, Slims, and The Echoplex. They have supported the likes of Antibalas, Fat Freddy’s Drop, The Aggrolites, Bedouin Soundclash, and Ooklah the Moc. They were also the backing band on two occasions for reggae legends The Heptones. LA radio stations KCRW, KPFK, and KXLU all support the group.
Born from the ethers of the universe, Master-Zero is an inter-dimensional being who views the world as we live in it. A master of zero is a void, nothing. In that emptiness, there is a place to be open to everything. Master-Zero is a question of what is or isn’t, right or wrong, good or bad. A voyeur of the human condition, Master-Zero embraces music as the portal into reality, the key to unlock the door of this dimension. Singing about what is present in the world of now with electronic beats that pulsate rhythm and subsonic bass, Master-Zero gravitates to the electric guitar to awaken the sirens. Human theatrics play a part in the story through movement of dance and expression. Artful scenic designs, along with visual images projected as moving light, create the backdrop to set up a voyeuristic live drama where the story remains the question and in that question is the story.
The Lost Children of Babylon –
The Lost Children of Babylon (LCOB), aka “The Protectors of Spiritual Hip Hop,” are a Philadelphia-based conscious hip hop group founded by Rasul Allahu in the mid-1990s. The group is known for their conscious and spiritual style with lyrics influenced by Nuwaubian philosophy, Islam, and The Nation of Gods & Earths. They first appeared in 1996 on Jedi Mind Tricks’ Amber Probe EP. Combining underground hip hop with esoteric ideologies and political zeal, LCOB has released four albums. The first three were released through Babygrande Records — The Equidivium: Where Light Was Created, Words From the Duat: The Book of Anubis, and The 911 Report: The Ulitmate Conspiracy. The latest album, Zeitgeist: The Spirit of the Age, was released by Chamber Musik/LCOB Productions in 2010. They are also affiliated with Killah Priest, Black Market Militia, The Maccabeez, Wu-Tang Killa Beez, and the Sunz of Man.
Heather Donavon –
Hailing from Atlanta, GA, and raised in Dallas, TX, Heather Donavon is a performing songwriter, studio/session singer, and voice over artist. She has opened for Keb’ Mo’, Fiona Apple, and Tori Amos. Her voice has been heard in national TV and radio commercials for brands like Toys R’ Us, Coke Zero (Super Bowl), TJ Maxx, MTV, and Hyundai Elantra. She has independently released two albums on iTunes. Her first album, Mosaic, is a compilation of soulful jazz and Spanish classics along with intimate interpretations of her favorite songwriters’ material. Donavon’s second album of piano pop driven melodies, Sense of Me, was co-written with Jonathan Hayes and Bonnie Hayes. The title track, “Sense of Me,” was awarded “Song of the Year” from the West Coast Songwriter’s International Song Competition and “Honorable Mention” from The Billboard Songwriting Competition. She has performed at the SXSW Music Festival in Austin, TX, at Ground Zero in New York City, alongside the San Francisco Glide Ensemble Gospel Choir, and at Agape Church in Los Angeles, CA.
Visual Artist Bios:
Banksy, an internationally known graffiti artist, activist, director, and painter based in England, creates satirical street art and subversive epigrams that combine irreverent dark humor with graffiti using a distinctive stenciling technique. His work gives a voice to the voiceless living in urban environments. Bansky’s work was born out of the Bristol underground scene, which involved collaborations between artists and musicians. His first film, Exit Through the Gift Shop, billed as “the world’s first street art disaster movie,” made its debut at the 2010 Sundance Film Festival. In January 2011, he was nominated for an Academy Award for Best Documentary for the film. Banksy has also self-published several books that contain photos of his work in various countries as well as some of his canvas work and exhibitions, accompanied by his own writings.
Mear One –
Mear One, born in Santa Cruz, California, is a Los Angeles-based artist known for his often-political street graffiti art. He sees himself as a messenger and spiritual warrior using his imagination as a communication device. He is commonly associated with the CBS (Can’t Be Stopped – City Bomb Squad) and WCA (West Coast Artist) crews. As a graphic designer, Mear One designed apparel for Conart, Kaotic, and his own Reform brand. He has done album covers for artists like Limp Bizkit and joined artists Shepard Fairey and Robbie Conal to create a series of anti-war, anti-Bush posters. A well-known street artist and prolific graffiti writer for over 20 years, his partners have included Skate One, Az Rock, Tren, Item, Anger, Yem, and Cisco.
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Accountability. This is the one thing many people want when it comes to justice. I would say it was something the vast majority of people want. It is the one thing those in charge do not want. It is one thing those in charge want their enforcers to avoid. They have, in essence, created an atmosphere where the common folk are asked to live by one set of rules while the enforcers and those working for the elite live by another. There has been created an abused class and a privileged class and the divide between the two is becoming more obvious as time goes by. Read more
By Paul Craig Roberts
Global Research, June 20, 2011
While we were not watching, conspiracy theory has undergone Orwellian redefinition.
A “conspiracy theory” no longer means an event explained by a conspiracy. Instead, it now means any explanation, or even a fact, that is out of step with the government’s explanation and that of its media pimps.
For example, online news broadcasts of RT have been equated with conspiracy theories by the New York Times simply because RT reports news and opinions that the New York Times does not report and the US government does not endorse.
In other words, as truth becomes uncomfortable for government and its Ministry of Propaganda, truth is redefined as conspiracy theory, by which is meant an absurd and laughable explanation that we should ignore.
When piles of carefully researched books, released government documents, and testimony of eye witnesses made it clear that Oswald was not President John F. Kennedy’s assassin, the voluminous research, government documents, and verified testimony was dismissed as “conspiracy theory.”
In other words, the truth of the event was unacceptable to the authorities and to the Ministry of Propaganda that represents the interests of authorities.
The purest example of how Americans are shielded from truth is the media’s (including many Internet sites’) response to the large number of professionals who find the official explanation of September 11, 2001, inconsistent with everything they, as experts, know about physics, chemistry, structural engineering, architecture, fires, structural damage, the piloting of airplanes, the security procedures of the United States, NORAD’s capabilities, air traffic control, airport security, and other matters. These experts, numbering in the thousands, have been shouted down by know-nothings in the media who brand the experts as “conspiracy theorists.”
This despite the fact that the official explanation endorsed by the official media is the most extravagant conspiracy theory in human history.
Let’s take a minute to re-acquaint ourselves with the official explanation, which is not regarded as a conspiracy theory despite the fact that it comprises an amazing conspiracy. The official truth is that a handful of young Muslim Arabs who could not fly airplanes, mainly Saudi Arabians who came neither from Iraq nor from Afghanistan, outwitted not only the CIA and the FBI, but also all 16 US intelligence agencies and all intelligence agencies of US allies including Israel’s Mossad, which is believed to have penetrated every terrorist organization and which carries out assassinations of those whom Mossad marks as terrorists.
In addition to outwitting every intelligence agency of the United States and its allies, the handful of young Saudi Arabians outwitted the National Security Council, the State Department, NORAD, airport security four times in the same hour on the same morning, air traffic control, caused the US Air Force to be unable to launch interceptor aircraft, and caused three well-built steel-structured buildings, including one not hit by an airplane, to fail suddenly in a few seconds as a result of limited structural damage and small, short-lived, low-temperature fires that burned on a few floors.
The Saudi terrorists were even able to confound the laws of physics and cause WTC building seven to collapse at free fall speed for several seconds, a physical impossibility in the absence of explosives used in controlled demolition.
The story that the government and the media have told us amounts to a gigantic conspiracy, really a script for a James Bond film. Yet, anyone who doubts this improbable conspiracy theory is defined into irrelevance by the obedient media.
Anyone who believes an architect, structural engineer, or demolition expert who says that the videos show that the buildings are blowing up, not falling down, anyone who believes a Ph.D. physicist who says that the official explanation is inconsistent with known laws of physics, anyone who believes expert pilots who testify that non-pilots or poorly-qualified pilots cannot fly airplanes in such maneuvers, anyone who believes the 100 or more first responders who testify that they not only heard explosions in the towers but personally experienced explosions, anyone who believes University of Copenhagen nano-chemist Niels Harrit who reports finding unreacted nano-thermite in dust samples from the WTC towers, anyone who is convinced by experts instead of by propaganda is dismissed as a kook.
In America today, and increasingly throughout the Western world, actual facts and true explanations have been relegated to the realm of kookiness. Only people who believe lies are socially approved and accepted as patriotic citizens.
Indeed, a writer or newscaster is not even permitted to report the findings of 9/11 skeptics. In other words, simply to report Professor Harrit’s findings now means that you endorse them or agree with them. Everyone in the US print and TV media knows that he/she will be instantly fired if they report Harrit’s findings, even with a laugh. Thus, although Harrit has reported his findings on European television and has lectured widely on his findings in Canadian universities, the fact that he and the international scientific research team that he led found unreacted nano-thermite in the WTC dust and have offered samples to other scientists to examine has to my knowledge never been reported in the American media.
Even Internet sites on which I am among the readers’ favorites will not allow me to report on Harrit’s findings.
As I reported earlier, I myself had experience with a Huffington Post reporter who was keen to interview a Reagan presidential appointee who was in disagreement with the Republican wars in the Middle East. After he published the interview that I provided at his request, he was terrified to learn that I had reported findings of 9/11 investigators. To protect his career, he quickly inserted on the online interview that my views on the Iraq and Afghanistan invasions could be dismissed as I had reported unacceptable findings about 9/11.
The unwillingness or inability to entertain any view of 9/11 different from the official view dooms to impotence many Internet sites that are opposed to the wars and to the rise of the domestic US police state. These sites, for whatever the reasons, accept the government’s explanation of 9/11; yet, they try to oppose the “war on terror” and the police state which are the consequences of accepting the government’s explanation. Trying to oppose the consequences of an event whose explanation you accept is an impossible task.
If you believe that America was attacked by Muslim terrorists and is susceptible to future attacks, then a “war on terror” and a domestic police state to root out terrorists become necessary to make Americans safe. The idea that a domestic police state and open-ended war might be more dangerous threats to Americans than terrorists is an impermissible thought.
A country whose population has been trained to accept the government’s word and to shun those who question it is a country without liberty in its future.
Paul Craig Roberts is a frequent contributor to Global Research. Global Research Articles by Paul Craig Roberts